Flame Premium

  • ‘Bulmers 100% Irish Cider’

    60 second and 30 second spots were finished on Flame at Smoke and Mirrors for the wonderfully brilliant Lucky Generals. It rolled out on St Patrick’s Day across TV, social and digital. There was product beauty work and of course the motion graphic treatment. I always enjoy working with The Lads.

    Agency: Lucky Generals
    Facility: Smoke & Mirrors London

  • ‘Corona Can’

    Working with two great Nuke Artists we combined on sky replacements, CGI compositing, clean up and beauty work. Two particular shots were particularly fun to work on in Flame; stopping it rain in shot two and combining multiple live action plates for the beach bar wide. Quality series of films for Corona. Loved it.

    Agency: Cramer-Krasselt
    Facility: The Mill Chicago

  • ‘Corona Golden Hour’

    Flame and Nuke combined to deliver this gorgeous film, the lead commercial in the series. The sky replacements were critical to tell the story of that magical golden hour. Product beauty work was also completed. A brilliant spot.

    Agency: Cramer-Krasselt
    Facility: The Mill Chicago

  • ‘Corona Chair’

    Working with the support of a couple of fabulous Nuke Artists we combined to finish a great set of films for Corona. Lots of clean up, sky replaces and product beauty work.

    Agency: Cramer-Krasselt
    Facility: The Mill Chicago

  • ‘MTV’

    I loved this series of ‘Brand Showcase’ films for MTV UK showcasing a number of contemporary artists. It touched on many disciplines within the Flame Premium. Paul and I designed the whole series and it was all composited in Flame. Initially I spent some time in Lustre grading the two ‘looks’. Additional scenery and interest was then composited in the black and white scenes. Extensive beauty work across all the talent followed. Large amounts of rotoscoping and keying was needed to extract talent and place them in the desired sets, complete with carefully selected and designed back plates drawing on inspiration and lyrics from the artists.

    Client: MTV UK
    Director: Paul Philpott
    Exec Producer: Jody Malam

  • ‘120 Days’

    This short film trailer was graded entirely in Lustre, on a Flame Premium. It was an absolute joy to work on.

    Client: Mike Gosbee

  • ‘Terence Higgins Trust’

    It was an honour to be part of this online campaign to mark the 30th anniversary of the charity. I am really proud of my contribution, graded it entirely in Lustre, on a Flame Premium. Additional beauty work was completed in Flame as well as the opening exterior composite.

    Client: Terence Higgins Trust
    Prod Co: Loki

  • ‘Mud Men’

    This was great fun. I started by grading the film in Lustre. Mud elements were added and enhanced. End board graphics were designed and built by myself in Flame. Lots of clean up followed before packaging and versioning.

    Client: History Channel
    Producer/Director: Will Clark-Smith

  • ‘Feral Children’

    This was assembled from a variety of stills, in Flame, for a promo to be aired on the Discovery Channel. Lots of work was done to create and extend all the foliage and environment. Dirt and filth was added to the opening scene. Lots of clean up was done to achieve the desired creative between the hostile look and the comforting finish.

    Client: Discovery
    Director: Barry Dyer

  • ‘London Eye’

    This commercial for London Eye was put together in Flame. After the initial grade, cinema screen composites and fireworks were keyed and composited. Reflections in the audience’s glasses were tracked in Mocha and composited in Flame.

    Client: Centrescreen
    Agency: Frank
    Producer: Heidi Powell